Tuesday, September 25, 2007

Food for thought...

In the international arena, Delhi - the capital of India boasts of showcasing Indian culture to the world. Being a music enthusiast, a core Carnatic music lover, mention the word Carnatic and the Delhi folks look at you strangely! Apart from areas like Rohini and very few places in Mayur Vihar, haunted by lot of South Indians, and not to forget the Tamil Sangam and the Kannada Sangha that organize Carnatic concerts once in a blue moon, Delhi seems very 'thanda' when it comes to this form of music.

Here's a short story about my experience in Delhi.

Having learnt Carnatic music constantly, since childhood, my thirst to learn more always kept me motivated. I consider myself blessed, for having Meera Mam as my Guru throughout. I moved to Delhi after my marriage. My hunt for a music teacher started 2 years ago in Delhi. I did not want to stop practising and all I needed was a good teacher who can hone my skills further. After a lot of enquiry among people, searching on the internet, visiting all possible sanghas, I found a teacher with great difficulty. I was very happy. In the first class I realized that she could not even sing Hamsadhwani correctly. She would start in Shuddha Dhanyasi and land in Panthu Varali. She was too lazy and would refuse to explain swaras for her own compositions, which in reality were copied from older krithis. How can I call such teachers as Gurus? She did not even know enough about music, but was teaching a lot of students. I was completely disappointed and I quit.

After a while, I heard a lady sing in a Temple. She was great! Being a musicologist, a lecturer in Delhi's Music School and hailing from a family of very famous musicians, this teacher was excellent, but very biased. She was greedy when it came to money, and to her, rendering carnatic music in 'tamil' style was called singing and not any other style. I wondered if I had made a mistake telling her that I hail from Bangalore. What is this bias about regions? Or was I that bad? I lost my confidence to a great extent when she de-motivated me. I stopped singing for a few months, almost 2 months! That was the longest period till date that I never sang. I again quit music. But I learnt a lot from this experience.

After that, I again found another teacher, who is quite okay. I am currently practising with her. Although I am not too happy, as long as I am singing and singing correctly, its fine.

Why am I saying all this? My experiences taught me a lot which I thought was very important to pen down.

Lesson 1:

Acceptance is important. Why can't our minds accept certain things? Ask yourself. Sometimes, the attitude of being extremely critical, unwillingness to give way to people who want to explore, bias towards language, believing that only traditional south Indians have legal right over Carnatic music, has created a mind-block among common people that only the older generation or the very orthodox clan (like brahmins, iyers, iyengars, etc) are entitled to listen, learn and enjoy this form of music.

Lesson 2:

Music is an art. It needs dedicated people, time and money to flourish. While we have people and we can make time, we also need to think about money. Musicians should be paid what they deserve. Today, we see a trend among singers like Unni Krishnan or Sudha Raghunathan or Vasumathi Badrinathan perform more concerts abroad than in India? Is it because there are not enough rasikas here? Definitely not. Apart from their own reasons, monetary benefits draw people out of India. I donot want to debate about this topic since I believe that until 1 Dollar = 45 Rupees and 1 Pound = 70 Rupees, this trend will always exist. When software engineers can migrate and earn more, why not musicians? However, music in India needs money and more enthusiasts. With so much of revenue, can't we have good music schools in all the metropolitan cities atleast? A thought that needs a lot of action.

Lesson 3:

How can we contribute towards music?

  • Lets not boast about knowledge, let knowledge find its own way to unleash.
  • Lets not be greedy and make business out of music. It is important to make money, but let us encourage doing this the right way and be ethical.
  • Lets not be biased about music.
  • Lets not make music only ours, lets learn to give and learn.
  • Lets allow people enter the fraternity and explore, it is about letting music live.

    While my search for a good music teacher still continues in Delhi, I hope I could induce some thoughts on how to value a divine art form that needs dedication from us youngsters, so we can take it ahead and not let it fade away.

Sunday, September 02, 2007

Shri Krishna Janmashtami

Shri Krishna Janmashtami has always been a very special festival for me. As a child I loved the tale of Shri Krishna's birth. Thanks to my grandpa and to the famous Mahabharata episodes on the television every Sunday, that I got familiarized with Shri Krishna's stories - from his fascinating birth, his tantrums with mother Yashoda, his teenage valor, his love stories, the Radha - Krishna chemistry, and his skillful planning in the Mahabharata war, everything is very exciting. Not to forget, the innumerable compositions on Lord Krishna by a whole genre of the Dasas and Musicians, who have contributed greatly in spreading the word of the Lord.

At home, I would always attend my music teacher's concert, mostly in ISKCON every year. It's happening this year too. Do attend if you are interested! :-) As a tribute to my music teacher's tremendous efforts to download a peanut size of music in me, I would like to remnice and list down all the Krishna krithis I know till date, and that I would probably cherish singing all my life. So here comes the elaborate list of songs...in chronological order of learning:
  1. Pillangoviya chelva krishnana yelli nodidhiri - Raga Mohana - this was the first devaranama I learnt, probably in 1991, just before my music exam.
  2. Bandhanene Ranga Bandhanene - Raga Shri - this is a very nice devaranama with a lot of rythmic words like kini kini, jhana jhana, dhudu dhudu - true hit among kids, always.
  3. Hari Neene Gathiyendhu - Raga Shanmukhapriya - another devaranama, a tough one to learn and sing.
  4. Paarthaaya Pratibhoditaam - Shloka from the Bhagavadgita - this contained five extracts from the Bhagavadgita, that we sang for an invocation in Adarsha Bhavan.
  5. Bhaktajana Paalaka Bhakti Sukhadaayaka - Raga Hamsanandi - my music teacher set the tune to this devaranama, hence will be one of my favorites.
  6. Ganamurthe - Raga Ganamurthe - the famous keerthane
  7. Saamanyavalla Shri Hariya Seve - Raga Charukeshi - again a devaranama - an easy one which I always sing when someone asks me to :-)
  8. Baaro Krishnaiya - Ragamalika (Raga Maand, Bilahari, Kamavardhini, Sindhu Bhairavi) - I love the way we begin this with the Shloka - Ksheeravaaridhige Shri Lakshmi Bandhanthe - in Raga Hamsanandi and then switch to Maand!
  9. Maiya Mori - Raga Charukeshi - by Surdas, very common one again.
  10. Indendu Vachithivira Alaga Nillu Veedhi Kaadhu Pora - Raga Surati - Love the way my sister used to perform for this telugu composition.
  11. Yadhuvamsha Tilakana Veshavidhene - Raga Khamach - this is an Anthapurageethe composed by kannada poet, Sri. D.V.Gundappa, famously called D.V.G. This song begins with a beautiful shloka, on Lord Krishna and his mesmirizing looks. Makes me forget the world when I sing this.
  12. Dasa Dasara Maneya - Raga Hindola - by Kanakadasa. We start this with an Ugabhoga! Dasanaguvudhakke esu janmada sukruthavo. Please read my post on Ugabhoga for more information :-)
  13. Rajuvedale Joothamurare Kasthoori Ranga - Raga Thodi by Sri Thyagaraja - a great krithi.
  14. Vyarthavaayithalla Janmavu Saarthakaagalilla - Raga Hindola - by Kanakadasa.
  15. Baalagopala - Raga Bhairavi - By the great Dikshitaru as we fondly call him :-)
  16. Yaariddharenaiya Neenilladhenagilla - Raga Ahir Bhairavi (or Chakravaka) - set to khandachhaapu taala, this raga has helped me identify a lot of film songs. :-)
  17. Gopiya Bhagyavidhu - Ragamalika (Behag, Hamsadhwani, Hamsanandhi, Kaapi, Sindhu Bhairavi) - starting from baby Krishna's bathing, the way mother Yashoda enjoys dressing him up, worships him, tells him stories, feeds him, and puts him to sleep - everything is described so beautifully in this composition by Sri Purandaradasa. Its a very beautiful song and my favorite again.
  18. Baalakrishnam Bhavayami - Raga Gopikavasantha - by Dikshitaru.
  19. Bantanaagi Baagila Kaayive - Raga Shubhali - a Panchamavarjita raga - I find this one tough to sing.
  20. Jagadodhaarana Aadisidhaleshodha - Raga Hindustani Kapi - made even more memorable by the great M.S.S.
  21. Hari Kunidha Namma Hari Kunidha - Raga Yaman - my baby nephew enjoys this whenever I sing.
  22. Daasana Maadiko Yenna - Raga Naadhanaamakriya - a beautiful song, quite a common one.
  23. Narayana Enniro - Raga Behag - I fell in love with Behag after this. :-)
  24. Nagumomu Ganaleni - Raga Abheri - which carnatic musician will not know this? :-) But do listen to great Sri Balamuralikrishna speak on this song explain the meaning, http://www.youtube.com/watch?v=s0z6go0iYtU
  25. Andinda Naa Ninna Nere Nambideno - Raga Abheri again!
  26. Deenana Dukha Harana Deva - Raga Basanth Bahar - by Surdas
  27. Dhrishti Ninna Paadadalli - Raga Mohana - again a Purandaradasa Devaranama
  28. Neene Ballidhano Hari Ninna Dasaru - Raga Purvi Kalyani - this is my favorite devaranama by Purandaradasa, very tough, very good.
  29. Aadahodhalle Makkalu - Ragamalika (Khamach, Kamavardhini, Hindola, Kalyana Vasantha) - this is a recent one for me.
  30. Jo Achuthananda - Raga Kapi - a beautiful beautiful song to put you into deep sleep, you must listen to M.S.S render this. I learnt this after multiple multiple hearing and practise. Its in telugu and set to khandachapu tala, an Annamacharya composition.

Well! There ends my exhaustive list! Apart from the above, I also like Alaipayudhe Kanna and Kannalane from Bombay...:-)

If you notice, the Hari Dasa Movement contributed a lot to such innumerable songs on Lord Krishna, especially in Kannada. They hold a prominent place in every concert till date. My knowledge of ragas increased to a great extent through Devaranamas.

If you have any favorite songs on Lord Krishna, do let me know. Also, try and visit the Krishna temple in Udupi, once in a lifetime. A beautiful place with a lot of historical significance.

Wish you all a happy Janmashtami festival. Pray well and Eat well.